{"id":432,"date":"2016-11-16T16:12:23","date_gmt":"2016-11-16T16:12:23","guid":{"rendered":"http:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/?p=432"},"modified":"2016-11-19T01:38:22","modified_gmt":"2016-11-19T01:38:22","slug":"table-of-contents","status":"publish","type":"post","link":"https:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/table-of-contents\/","title":{"rendered":"Table of Contents"},"content":{"rendered":"<h1><span style=\"color: #666666;\"><span style=\"font-size: large;\"><span style=\"color: #a61c00;\"><span style=\"font-family: 'Times New Roman', serif;\"><span style=\"font-size: x-large;\"><i><b><span style=\"color: #800000;\">Coreopsis Journal of Myth &amp; Theatre<\/span> <\/b><\/i><\/span><\/span><\/span><\/span><\/span><\/h1>\n<h3><span style=\"color: #800000;\"><em>Autumn 2016 Vol. 5 Number 2<\/em><\/span><\/h3>\n<h3><span style=\"color: #800000;\">Women in Oppression and War: Body, Mind, Heart, Art <\/span><\/h3>\n<h3>Table of Contents<\/h3>\n<h4 class=\"western\">Cover Art by Thea Ghar, \u201cStanding at the Banks\u201d<b> <\/b><\/h4>\n<h2><span style=\"color: #800000;\"><span style=\"font-family: 'Times New Roman', serif;\">Editorials<\/span><\/span><\/h2>\n<h4><span style=\"color: #800000;\"><a style=\"color: #800000;\" href=\"http:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/walk-away-reflections-on-omelas-and-growing-up-during-the-cold-war\/\"><em>Editorial: Walk Away: Reflections on \u201cOmelas\u201d and Growing up During the Cold War<\/em> <\/a><\/span><\/h4>\n<p>Lezlie Kinyon, Phd., Ed.<\/p>\n<p style=\"padding-left: 30px;\">Paradise always comes with a price, whether it&#8217;s Ursula K. Le Guin&#8217;s shining city of Omelas or the comfortable bubble of suburban America during the Cold War.<\/p>\n<h4><em><span style=\"color: #800000;\"><a style=\"color: #800000;\" href=\"http:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/say-to-them-survive-interview-with-zsuzanna-budapest\/\">Zsuzsanna Budapest on the 1956 Hungarian Revolution, in conversation with the Coreopsis\u2019 Editor<\/a>.<\/span> <\/em><\/h4>\n<p style=\"padding-left: 30px;\">An iconic figure in modern women&#8217;s spirituality discusses her experiences during the doomed 1956 Hungarian uprising and discusses her plans for a new animated web series.<\/p>\n<h2><span style=\"color: #800000;\">Letters<\/span><\/h2>\n<h4 style=\"padding-left: 30px;\"><span style=\"color: #800000;\"><em><a style=\"color: #800000;\" href=\"http:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/letters-we-hear-from-our-readers\/\">We hear From Our Readers &#8230;<\/a> <\/em><\/span><\/h4>\n<h2 class=\"western\"><span style=\"color: #800000;\"><span style=\"font-family: 'Times New Roman', serif;\">Between the Worlds: Wit and Wisdom of the Society for Ritual Arts Artist in Residence<\/span><\/span><\/h2>\n<h4><span style=\"color: #800000;\"><em><a style=\"color: #800000;\" href=\"http:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/art-and-social-action\/\">Interview with Chip Thomas<\/a><\/em> <\/span><\/h4>\n<p>by Helena Domenic Art<\/p>\n<p style=\"padding-left: 30px;\">The artist\u2019s personal journey, from serving the Navajo Nation as a young physician to celebrating indigenous culture as a photographer and muralist.<\/p>\n<h4><span style=\"color: #800000;\"><a style=\"color: #800000;\" href=\"http:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/the-curse-of-the-morrigan\/\"><em style=\"color: #800000;\">Curse of\u00a0The Morrigan<\/em><\/a><\/span><\/h4>\n<p><em>by Lauren Raine<\/em><\/p>\n<p style=\"padding-left: 30px;\">During a ritual protest against the annual Bohemian Grove meeting of the world&#8217;s rich and powerful men, an ancient Irish Goddess curses them for their sins.<\/p>\n<h2 class=\"western\"><span style=\"color: #85200c;\"><span style=\"font-family: 'Times New Roman', serif;\">Papers submitted for peer review<\/span><\/span><\/h2>\n<h4><span style=\"color: #800000;\"><em><a style=\"color: #800000;\" href=\"http:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/dowry-death\/\">Dowry Death: A Social and Political Creation <\/a><\/em><\/span><\/h4>\n<p>Stacy Dulan, Artist-Scholar, Univ. of California at Berkeley<\/p>\n<p><em>Art by Thea Gahr<\/em><\/p>\n<p style=\"padding-left: 30px;\">The practice of murdering women in India to obtain or preserve dowry money arose largely from British colonial interference in indigenous marriage traditions.<\/p>\n<h4><span style=\"color: #800000;\"><em><a style=\"color: #800000;\" href=\"http:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/woman-veteran-as-wounded-healer\/\">Novelist Lisa Brackmann interviewed <\/a><\/em><\/span><\/h4>\n<p><em>by Denise Dumars, M.A.<\/em><\/p>\n<p style=\"padding-left: 30px;\"><span style=\"font-weight: 400;\"> In this trilogy of contemporary novels, an American soldier seeks redemption from her war crimes by fighting for politically oppressed artists in China.<\/span><\/p>\n<h4><span style=\"color: #800000;\"><em><a style=\"color: #800000;\" href=\"http:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/sex-yes-censorship-no\/\">Sex Yes, Censorship No <\/a><\/em><\/span><\/h4>\n<p class=\"western\"><em><span style=\"font-family: 'Times New Roman', serif;\"><span style=\"font-size: medium;\">by Leslie Fish <\/span><\/span><\/em><\/p>\n<p style=\"padding-left: 30px;\">The adventures of a politically-incorrect folk-singer, from the streets of working-class America to the overly-hallowed halls of academia.<\/p>\n<h4><span style=\"color: #800000;\"><em><a style=\"color: #800000;\" href=\"http:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/faerian-drama\/\">Faerian Drama <\/a><\/em><\/span><\/h4>\n<p><em>by\u00a0<\/em><em>Janet Croft<\/em><\/p>\n<p style=\"padding-left: 30px;\"><span style=\"font-weight: 400;\">Nearly eighty years ago, J.R.R. Tolkien first taught the concept of \u201cfantasy with a realism and immediacy beyond the compass of any human mechanism.\u201d Modern-day film and television has not forgotten that lesson.<\/span><\/p>\n<h2 class=\"western\"><span style=\"color: #85200c;\"><span style=\"font-family: 'Times New Roman', serif;\">Music Reviews<\/span><\/span><\/h2>\n<h4><span style=\"color: #800000;\"><a style=\"color: #800000;\" href=\"http:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/new-music-releases-autumn-2016\/\"><em>New Releases: Music of Note with Commentary by Robyn Perry<\/em> <\/a><\/span><\/h4>\n<p style=\"padding-left: 30px;\">What\u2019s new, notable, and announcing: Ritual Arts Radio!<\/p>\n<h4><span style=\"color: #800000;\"><em><a style=\"color: #800000;\" href=\"http:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/new-and-notable-in-progressive-rock\/\">Big Big Train: Folklore,\u00a0\u2018STONE AND STEEL\u2019 DVD and video<\/a><\/em><\/span><\/h4>\n<p style=\"padding-left: 30px;\"><span style=\"font-size: 16px;\">A re-formed progressive rock band fuses Celtic, folk, jazz and orchestral sounds to tell archetypal stories of everyday heroes.<\/span><\/p>\n<h4>and <span style=\"color: #800000;\"><em><a style=\"color: #800000;\" href=\"http:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/new-and-notable-in-progressive-rock\/\">Composing for Space and Time: Karmakanic\u2019s DOT<\/a><\/em><\/span><\/h4>\n<p style=\"padding-left: 30px;\">The words of astronomer and cosmologist Carl Sagan inspired this musical portrait of Earth within the vast universe.<\/p>\n<h4><em><span style=\"color: #800000;\"><a style=\"color: #800000;\" href=\"http:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/review-snow-white-the-mirror-cracked\/\">Snow White: The Mirror Cracked? Margaret Davis &amp; Kristoph Klover Snow White: The Mirror&#8217;s Revenge<\/a><\/span><\/em><\/h4>\n<p>review by Helena Domenic Art<\/p>\n<p style=\"padding-left: 30px;\"><span style=\"font-weight: 400;\">Fairy tales never really end, they just wait for new bards to continue the story. In this musical journey, we find out what happens after the cursed princess awakens to her Prince Charming.<\/span><\/p>\n<h4><em><span style=\"color: #800000;\"><a style=\"color: #800000;\" href=\"http:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/better-late-than-never-the-anderson-ponty-band-review\/\">The Anderson\/Ponty Band Better Late Than Never<\/a><\/span><\/em><\/h4>\n<p><em>reviewed by Lezlie Kinyon<\/em><\/p>\n<p style=\"padding-left: 30px;\"><span style=\"font-weight: 400;\">The Anderson\/Ponty Band&#8217;s \u201cpure magic\u201d mix of progressive rock and jazz brought out the 17-year-old in an old rocker&#8217;s heart \u2014 especially when the live concert rolled into town.<\/span><\/p>\n<h2 class=\"western\"><span style=\"color: #800000;\"><span style=\"font-family: 'Times New Roman', serif;\">Artist\u2019s Profiles<\/span><\/span><\/h2>\n<h4>Audio Interview: <span style=\"color: #800000;\"><a style=\"color: #800000;\" href=\"http:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/conjuring-art-interview-nedra-t-williams-audio\/\">Conjuring Art audio interview Nedra T. Williams<\/a>\u00a0<\/span><\/h4>\n<p><em>interviewed by Luisah Teish<\/em><!-- good. I will figure out images --><!-- thanks! --><\/p>\n<p style=\"padding-left: 30px;\">Listen to a lively discussion with Priestesses of the African Orisa tradition, where they discuss healing \u201cspiritual dereliction\u201d via the artist&#8217;s direct connection with nature, perform a ritual invocation of the Goddess Olokun, and recount deep-forest encounters with walking sticks, spiders as big as melons, and a mysterious woman in a purple dress.<\/p>\n<h2 class=\"western\"><span style=\"color: #85200c;\"><span style=\"font-family: 'Times New Roman', serif;\"><span style=\"color: #800000;\">Gallery<\/span><!-- I do not see a folder for teh Gallery pages in the Top Level Autumn 2016 folder. --><\/span><\/span><\/h2>\n<h4><em><span style=\"color: #800000;\"><a style=\"color: #800000;\" href=\"http:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/gallery-nedra-adams\/\">Nedra T. Williams: \u201cConjuring Art\u201d<\/a><\/span><\/em><\/h4>\n<h2><span style=\"color: #800000;\">Announcements<!-- have all --> <\/span><\/h2>\n<ul>\n<li>\n<h4><em><span style=\"color: #800000;\"><a style=\"color: #800000;\" href=\"http:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/new-music-releases-autumn-2016\/\">New Publications Compiled by the Editors of Coreopsis<\/a><\/span><\/em><\/h4>\n<\/li>\n<\/ul>\n<ul>\n<li>\n<h4><em><span style=\"color: #800000;\"><a style=\"color: #800000;\" href=\"http:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/staff-releases\/\">Staff Releases and Projects <\/a><\/span><\/em><\/h4>\n<\/li>\n<li>\n<h4><em><span style=\"color: #800000;\"><a style=\"color: #800000;\" href=\"http:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/call-for-papers-festvals\/\">Festivals and Conferences<\/a><\/span><\/em><\/h4>\n<\/li>\n<li>\n<h4><em><span style=\"color: #800000;\"><a style=\"color: #800000;\" href=\"http:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/in-memoriam\/\">In Memoriam<\/a><\/span><\/em><\/h4>\n<\/li>\n<\/ul>\n<h2 class=\"western\"><span style=\"color: #a61c00;\"><span style=\"font-family: 'Times New Roman', serif;\"><span style=\"color: #800000;\">The Final Word: Staff Feature<\/span><!-- good --><\/span><\/span><\/h2>\n<h4><span style=\"color: #800000;\"><em><a style=\"color: #800000;\" href=\"http:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/for-your-consideration\/\">For Your Consideration <\/a><\/em><\/span><\/h4>\n<p><span style=\"color: #000000;\"><em>by\u00a0Laurie Dietrich with art by Luisah Teish<\/em><\/span><\/p>\n<p style=\"padding-left: 30px;\">Just as the Big Bang shaped the universe, our use of words shapes the world around us.<\/p>\n<h4><em><span style=\"color: #800000;\"><a style=\"color: #800000;\" href=\"http:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/war-for-water-prayer-as-weapon\/\">War for Water: Prayer as Weapon <\/a><\/span><\/em><\/h4>\n<h4><em><span style=\"color: #800000;\">by\u00a0<a style=\"color: #800000;\" href=\"http:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/war-for-water-prayer-as-weapon\/\">Tatyanna Wilkinson<\/a><\/span><\/em><\/h4>\n<p style=\"padding-left: 30px;\"><span style=\"font-size: 16px;\">In North Dakota and around the country, water protectors(not protesters) have waged prayer to stop the Dakota Access Pipeline<\/span><\/p>\n<h2><span style=\"color: #800000;\">Reference and Copyright<\/span><\/h2>\n<p><em><strong>Submission Guidelines:\u00a0<\/strong><a href=\"http:\/\/societyforritualarts.com\/coreopsis\/submissions\/\">http:\/\/societyforritualarts.com\/coreopsis\/submissions\/<\/a><\/em><\/p>\n<p>Artworks are by Thea Ghar, Luisah Teish, Lezlie Kinyon, Chip Thomas and Thea Kinyon Boodhoo, all rights reserved, used by permission.<\/p>\n<p><strong><em>Reference:<\/em> <\/strong><\/p>\n<p>General: Coreopsis Journal of Myth &amp; Theatre Vol. 5 # 2 Women in Oppression: Body, Mind, Heart, Art Ed. Lezlie A. Kinyon, ISSN 2333-0627<\/p>\n<p>APA: Kinyon, L., Ph.D. (Ed.). (2016). Women in Oppression: Body, Mind, Heart, Art. Coreopsis Journal of Myth &amp; Theatre, 5(12). Retrieved from:<\/p>\n<p>MLA: Kinyon, Lezlie, Ph.D., ed. Women in Oppression: Body, Mind, Heart, Art. Coreopsis Journal of Myth &amp; Theatre 5.1 (2016). Society for Ritual Arts. Autumn 2016<!-- Fixed this - please note. -->. Web.<\/p>\n<p>The name Coreopsis: A Journal of Myth and Theatre, the format, and the website are the sole property of Lezlie A. Kinyon, Ph.D., Founding Editor, Society for Ritual Arts, Acting President.<\/p>\n<p>A twice-yearly (Spring and Autumn) publication of <span lang=\"zxx\"><a href=\"http:\/\/societyforritualarts.org\/\">The Society for Ritual Arts<\/a><\/span> and are copyrighted under United States and international law.<\/p>\n<p class=\"western\"><em><strong><span style=\"font-family: 'Times New Roman', serif;\">For technical issues concerning the website, please contact:<\/span><\/strong><\/em><\/p>\n<p class=\"western\"><span style=\"font-family: 'Times New Roman', serif;\">Tatyanna Wilkinson, Technical Advisor, Web Designer<br \/>\n<\/span><span style=\"font-family: 'Times New Roman', serif;\">twilkinson@egeriaconsulting.net<br \/>\n<\/span><span style=\"font-family: 'Times New Roman', serif;\">Egeria Consulting<\/span><\/p>\n<p class=\"western\"><span style=\"font-family: 'Times New Roman', serif;\">or Thea Kinyon, Brand Manager, Web Designer<br \/>\n<\/span><span style=\"font-family: 'Times New Roman', serif;\">tharkibo@gmail.com<\/span><\/p>\n<p class=\"western\"><strong><em><span style=\"font-family: 'Times New Roman', serif;\">For questions regarding copyright please contact:<\/span><\/em><\/strong><\/p>\n<p class=\"western\"><span style=\"font-family: 'Times New Roman', serif;\">Rev. Denise D. Dumars, M.A., Author\u2019s Liaison<br \/>\n<\/span><span style=\"font-family: 'Times New Roman', serif;\">Authors\u2019 Representative<br \/>\nAshley Grayson Literary Agency, Retired.<br \/>\n<\/span><span style=\"font-family: 'Times New Roman', serif;\">eerieaerie@hotmail.com<\/span><\/p>\n<h2 class=\"western\"><span style=\"color: #800000;\"><a style=\"color: #800000;\" href=\"http:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/thank-you\/\">Thank you<\/a>, see you next issue!<\/span><\/h2>\n","protected":false},"excerpt":{"rendered":"<p>Coreopsis Journal of Myth &amp; Theatre Autumn 2016 Vol. 5 Number 2 Women in Oppression and War: Body, Mind, Heart, Art Table of Contents Cover Art by Thea Ghar, \u201cStanding at the Banks\u201d Editorials Editorial: Walk Away: Reflections on \u201cOmelas\u201d and Growing up During the Cold War Lezlie Kinyon, Phd., Ed. Paradise always comes with<br \/><a class=\"moretag\" href=\"https:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/table-of-contents\/\">+ Read More<\/a><\/p>\n","protected":false},"author":4,"featured_media":314,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[18],"tags":[],"class_list":["post-432","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-toc"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Table of Contents &#187; Coreopsis Journal Fall 2016<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/table-of-contents\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Table of Contents &#187; Coreopsis Journal Fall 2016\" \/>\n<meta property=\"og:description\" content=\"Coreopsis Journal of Myth &amp; Theatre Autumn 2016 Vol. 5 Number 2 Women in Oppression and War: Body, Mind, Heart, Art Table of Contents Cover Art by Thea Ghar, \u201cStanding at the Banks\u201d Editorials Editorial: Walk Away: Reflections on \u201cOmelas\u201d and Growing up During the Cold War Lezlie Kinyon, Phd., Ed. 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